Congratulations to the prize winners of the 2019 Wigmore Hall/Independent Opera International Song Competition, which took place at Wigmore Hall on Wednesday 11 September.
Mikhail Timoshenko studied at the Mednogorsk Conservatoire and the Hochschule für Musik Franz Liszt, Weimar. In 2016, he won First Prize at the International Competition Bordeaux Médoc, and in 2017 won the Association pour le Rayonnement de l’Opéra National de Paris Prize, First Prize at the Siemens Opera Contest and the International Maria Callas Grand Prix in Greece. With Elitsa Desseva, he was awarded First Prize at the 2018 Franz Schubert und die Musik der Moderne Competition in Graz, First Prize at the 2018 Hugo Wolf Competition in Stuttgart, the Second and Audience prizes for Lied Duo at the International Schubert Competition Dortmund in 2018, and Third Prize and the Yamaha Prize at the 2019 Lyon International Chamber Music Competition.
Harriet Burns won the 2018 Oxford Lieder Young Artists Platform with Michael Pandya, the 2017 Paul Hamburger Prize for Lieder, and the 2017 Franz-Schubert-Institut Competition. She is a Samling Artist and a Britten–Pears Young Artist. She will shortly embark on her final year on the opera course at the Guildhall School of Music & Drama. Harriet has worked with pianists such as Graham Johnson, Christopher Glynn, James Baillieu, Sholto Kynoch, Sebastian Wybrew and Ian Tindale at festivals and concert halls including Wigmore Hall, Oxford Lieder Festival, Ryedale Festival and Internationaal Lied Festival Zeist. Her debut solo album as part of Graham Johnson’s complete Brahms songs for Hyperion Records will be released in August 2019.
The 2019/20 season will see Beth Taylor give recitals Europe-wide, and make soloist debuts at the Aix-en-Provence Festival, the New Generation Festival in Florence, Opéra de Lorraine, La Monnaie Brussels, Deutsche Oper Berlin, Oper Köln and Opéra de Lyon, as well as at Het Concertgebouw Amsterdam. Beth graduated from the Royal Conservatoire of Scotland in 2018. She is currently studying with Jennifer Larmore and Iain Paton and will commence her final stage of training at the Zurich International Opera Studio in the 2019/20 season. Beth was a semi-finalist at the 2018 International Vocal Competition s’Hertogenbosch in the Netherlands and won First Prize at the Gianni Bergamo Classical Music Award last September.
Kieran Carrel studied in Cologne with Christoph Prégardien, and at the Royal Academy of Music. From 2019–21 Kieran will join the Oper Theater Bonn, where he will sing Jacquino in Beethoven’s Fidelio, Beppe in Leoncavallo’s Pagliacci, Hotel porter in Britten’s Death in Venice and a role in Staatstheater by Mauricio Kagel. Kieran made his Wigmore Hall debut in 2016 with Graham Johnson, returning with the Royal Academy of Music’s prestigious Song Circle in 2019. Another recent highlight was his debut in January at the Pierre Boulez Saal in Berlin as part of the Heidelberg Lied Academy, receiving coaching from Thomas Hampson and Hartmut Höll. Kieran is also a 2019 Leeds Lieder Young Artist and was awarded the inaugural Leeds Lieder/Schubert Institute UK Song Prize.
Michael Pandya has appeared in performance alongside Graham Johnson, Jonathan Lemalu, Robin Tritschler and Eamonn Dougan. In 2018, he won the Gerald Moore Award, the Help Musicians UK Accompanist’s Prize at the Kathleen Ferrier Awards and the Oxford Lieder Young Artist Platform with duo partner Harriet Burns. Recent performing engagements include appearances at Wigmore Hall, Klavier-Festival Ruhr, Newbury Spring Festival, Leeds Lieder Festival, and live on BBC Radio 3’s In Tune. He studies at the Guildhall School of Music & Drama, having obtained degrees from the University of Oxford and Royal Academy of Music.
Matthew Swensen and Katelan Terrell
Matthew Swensen graduated from The Juilliard School in 2017 and is now the youngest member of the ensemble at Oper Frankfurt. He made his debut there at the beginning of the 2018/19 season as Tamino in Mozart’s Die Zauberflöte. After stepping in at the last minute with the Bayerisches Rundfunk Symphony Orchestra, he has been engaged to sing at Elbphilharmonie Hamburg, Carnegie Hall New York, Het Concertgebouw Amsterdam, Konzerthaus Hannover and at Tivoli Vredenburg in Utrecht. He will make his operatic debut in the UK as Ferrando in Mozart’s Così fan tutte at Cadogan Hall with Ian Page and The Mozartists.
Katelan Terrell is a pianist and coach currently on the roster of the Lindemann Young Artist Development Programme at the Metropolitan Opera. An avid song recitalist, she studied at the Franz-Schubert-Institut, SongFest at The Colburn School in Los Angeles, and ‘The Song Continues...’ at Carnegie Hall. This summer she participated in the Britten–Pears Young Artist Programme, attending both the Opera Arias and Singing Britten courses. Katelan is on the faculty of the Chautauqua Institution and The Juilliard School, where she received her Master’s degree in collaborative piano under Margo Garrett, Brian Zeger and Jonathan Feldman.
Benjamin Russell studied at the Royal Irish Academy of Music and the Zurich Opera International Opera Studio with Sylvia O’Regan and Brenda Hurley. He is currently an ensemble member of the Hessisches Staatstheater Wiesbaden, where he has sung many leading roles. A keen concert and recital singer, Benjamin has performed internationally at various venues including the Aldeburgh Festival, Müpa Budapest, Kurhaus Wiesbaden, Hong Kong City Hall, and the National Concert Hall in Dublin. Competition successes include Third Prize at the ‘Die Meistersinger von Nürnberg’ Singing Competition in 2018 and the Joan Sutherland Prize for Most Promising Singer at the Veronica Dunne International Singing Competition in 2010.
Clara Osowski, most recently recognised for her international excellence in her home state of Minnesota, received a 2018/19 McKnight Artist Fellowship for Musicians. In 2017, she won Second Prize at the Das Lied International Song Competition with pianist Tyler Wottrich and the Richard Tauber Prize for the Best Interpretation of Schubert Lieder at the Wigmore Hall/Kohn Foundation International Song Competition. Clara recently won the Radio-Canada People’s Choice Award and came third in the song division at the 2018 Concours Musical International de Montréal. In addition Clara is the co-founder and Director of Source Song Festival, a week-long song festival in the USA.
Guy Elliott and Hamish Brown
Guy Elliott studies at the Royal College of Music with Alison Wells, supported by the HR Taylor Trust and Help Musicians UK. As a concert soloist, Guy has performed at venues including the Royal Albert Hall, Barbican Hall and St Stephen’s Cathedral in Vienna. For the RCM Opera Studio, Guy has sung Prince Phillippe in Lennox Berkeley’s A Dinner Engagement and Toby Robinson in Offenbach’s Robinson Crusoé. Forthcoming roles include several in David Blake’s Scoring a Century for British Youth Opera and Dr Miracle in Bizet’s Le Docteur Miracle for Wexford Festival Opera. Guy is a member of Wigmore Hall’s The French Song Exchange.
Hamish Brown is currently the Lord and Lady Lurgan Piano Accompaniment Fellow at the Royal College of Music, a Yeoman of the Worshipful Company of Musicians and recipient of the 2019 Mozart Singing Competition Pianist Prize. In 2017, Hamish became an Oxford Lieder Young Artist, collaborating with tenor Peter Harris, which has led to performances at St John’s Smith Square, the Internationaal Lied Festival Zeist and the Heidelberger Frühling Festival. Hamish has also performed at venues including Wigmore Hall, Cadogan Hall, the Victoria & Albert Museum, Royal Festival Hall, and at the Aldeburgh, Leeds Lieder and Deal festivals.
John Gilhooly OBE
John Gilhooly became Director of Wigmore Hall in 2005, making him, then, the youngest leader of any of the world’s great concert halls. He had been Executive Director of Wigmore Hall since December 2000 and has overseen the artistic, financial and administrative transformation of the Hall over the past 17 years. His tenure has produced record box office returns and the Hall’s highest ever membership levels and annual fundraising. As Artistic Director of Wigmore Hall, he programmes the largest chamber music and song series in the world, and he is noted for his commitment to outstanding emerging artists, diversity and contemporary music.
John Gilhooly has been honoured by heads of state and academic institutions. In 2013 he was awarded an OBE by Her Majesty Queen Elizabeth II and in 2015 was made a Knight of the Order of the White Rose of Finland by the President of Finland. He has also received the prestigious Austrian Cross of Honour for Science and Art, and the Order of the Star of Italy (Cavaliere), awarded by the President of Italy. In 2016 he was awarded the German Order of Merit, which is Germany’s highest civilian honour. He is a recipient of Honorary Fellowship of the Royal Academy of Music (2006), Honorary Membership of the Royal College of Music (2012), Honorary Fellowship of the Guildhall School of Music & Drama (2015), and Honorary Fellowship of the Royal Irish Academy of Music (2016). John Gilhooly is Patron of Leeds Lieder and Chairman of the Royal Philharmonic Society.
John Mark Ainsley
John Mark Ainsley has appeared with the world’s leading orchestras, including the London, Boston, Chicago and San Francisco Symphony orchestras, the London, Berlin, Vienna, Rotterdam and New York Philharmonic Orchestras, and with conductors including Sir Colin Davis, Bernard Haitink, Sir Charles Mackerras, Kurt Masur, Sir Roger Norrington, Pierre Boulez, Esa-Pekka Solonen, Sir Simon Rattle and Claudio Abbado.
In opera he has sung Don Ottavio Don Giovanni (Glyndebourne Festival, Aix-en-Provence Festival and Royal Opera, Covent Garden); the title role in Samson (Netherlands Opera); Grimoaldo Rodelinda (English National Opera); Jupiter Semele (San Francisco Opera); Bajazet Tamerlano and the title role in Idomeneo (Munich Festival); Captain Vere Billy Budd (Glyndebourne Festival); Henze’s L’Upupa (Salzburg Festival) and Phaedra (Berlin Festival); and Skuratov in Janacek’s From the House of the Dead at the Amsterdam, Vienna and Aix-en-Provence Festivals, La Scala Milan and Deutsche Staatsoper Berlin.
He has recorded extensively for Philips Classics, Decca, EMI, Deutsche Grammophon and Hyperion Records, covering the baroque and classical repertoire, German Lied, English song and American musicals. His recording of Vaughan Williams’ On Wenlock Edge with the Nash Ensemble was nominated for a Gramophone Award.
John Mark won the 2007 Royal Philharmonic Society Singer Award and is a visiting professor at the Royal Academy of Music.
Iain Burnside is a pianist who has appeared in recital with many of the world’s leading singers, and as presenter of BBC Radio 3’s Voices he won a Sony Radio Award. Recent recordings include the Gramophone Award-winning NMC Songbook and complete Rachmaninov songs on Delphian.
His theatre piece A Soldier and a Maker, based on the life of Ivor Gurney, was performed at the Barbican Centre and the Cheltenham Festival, and later broadcast by BBC Radio 3 on Armistice Day. His new project Swansong has been premièred at the Kilkenny Festival.
This is the final instalment in a series of the three Schubert song cycles with Roderick Williams at Wigmore Hall. Forthcoming projects feature Ailish Tynan, Rosa Feola, Andrew Watts, Robin Tritschler and Benjamin Appl, and also a major series of Russian Song for Wigmore Hall.
Iain Burnside is Artistic Director of the Ludlow English Song Weekend and Artistic Consultant to Grange Park Opera.
Iain Burnside appears through arrangement with Askonas Holt
Bernarda Fink, born in Buenos Aires to Slovene parents, received her musical education at the Instituto Superior de Arte del Teatro Colón.
As one of the most sought-after singers in concerts and recitals and much acclaimed for her musical versatility, she frequently performs alongside leading orchestras and conductors in Europe and America. With a repertoire that ranges from ancient to contemporary music, she regularly appears with the Philharmonic Orchestras of London, Prague, Vienna and Berlin, Royal Concertgebouw Orchestra, Staatskapelle Dresden, Bavarian Radio Symphony Orchestra, Cleveland- and Philadelphia Orchestras, and with the foremost Baroque orchestras under Blomstedt, Bychkov, Chailly, Davis, Gardiner, Gergiev, Harnoncourt, Jacobs, Jansons, Muti, Norrington, Pinnock, Prêtre, Rattle and Welser-Möst. Mrs. Fink is welcomed regularly in Argentina and at the main opera houses of Europe and often appears in recitals at the Wiener Musikverein and Konzerthaus, Schubertiade Schwarzenberg, Concertgebouw and Wigmore Hall. Some of her nearly 50 recordings have been awarded coveted prizes (Diapason d’Or, Grammy).
In 2006, Bernarda Fink was awarded the Austrian Honorary Medal for Art and Science and in 2013, together with her brother Marcos Fink, the most prestigious cultural award of Slovenia sponsored by the Prešeren-foundation. In 2014 the Austrian Ministry of Arts awarded her with the title Austrian Kammersänger.
David Jackson is Artistic Director of the BBC Cardiff Singer of the World competition, one of the most highly regarded classical singing competitions in the world. He has been a producer, executive producer and commissioner of television and radio for the BBC and the independent sector. His programmes have won many awards including a Primetime Emmy, BAFTAs, the Rose d’Or, SONY Awards, a number of Golden Prague and Vienna TV Awards and many nominations.
Posts include Head of Music at BBC Wales, Vice Principal at the Royal Welsh College of Music and Drama, Acting Director of the BBC National Orchestra and Chorus of Wales, and Managing Director of the National Children’s Orchestras of Great Britain.
In addition to his professional work David served for a number of years as a Trustee of the Wales Millennium Centre. He is a Trustee of chamber orchestra Sinfonia Cymru, sits on the Governors’ Music Committee of Wells Cathedral School, is a Governor of Ysgol y Deri Special School in Sully, and chairperson of the Forget-Me-Not Chorus for people with dementia and their carers. In October 2017 he became Chair of National Youth Arts Wales, the organisation responsible for the National Youth ensembles of Wales.
Graham Johnson OBE
Graham Johnson is Senior Professor at the Guildhall School of Music & Drama. He formed the Songmakers' Almanac in 1976, and has worked with Dame Elisabeth Schwarzkopf, Peter Pears, Sir Thomas Allen, Victoria de los Angeles, Ian Bostridge, Brigitte Fassbaender, Matthias Goerne, Thomas Hampson, Dame Felicity Lott, Simon Keenlyside, Angelika Kirchschlager, Philip Langridge, Christopher Maltman, Edith Mathis, Ann Murray, Lucia Popp, Christoph Prégardien, Dame Margaret Price, Thomas Quastoff, Dorothea Röschmann, Alice Coote, Christine Schaefer and Peter Schreier. His extensive discography includes the entire Schubert and Schumann Lieder for Hyperion Records.
He was made OBE in the 1994 Queen's Birthday Honours list, Chevalier in the Ordre des Arts et Lettres by the French Government in 2002, and Honorary Member of the Royal Philharmonic Society in 2010. He was awarded the Wigmore Hall Medal, Hugo Wolf Medal, and received Honorary Doctorates from Durham University, the New England Conservatory of Music and Edith Cowan University in Western Australia.
Dame Felicity Lott
Dame Felicity Lott is one of Britain's best-loved sopranos. She read French at Royal Holloway College, of which she is now an Honorary Fellow, and singing at the Royal Academy of Music, of which she is a Fellow and a Visiting Professor.
On the opera stage, her performances of the Strauss and Mozart roles in particular have led to critical and popular acclaim worldwide. She has sung with the world’s leading orchestras including the London, Vienna, Berlin, Munich and New York Philharmonic Orchestras, the Concertgebouworkest, the Deutsche Staatskapelle, the Cleveland, Suisse Romande and Tonhalle orchestras, as well as the Boston and BBC Symphony Orchestras, working with conductors such as Solti, Mehta, Haitink, Welser-Moest, Masur, Armin Jordan, Previn, Sir Andrew Davies, Rattle and Philippe Jordan.
She is a Dame Commander of the British Empire and a Bayerische Kammersängerin, and has also been awarded the titles Officier de l’Ordre des Arts et des Lettres and Chevalier de l’Ordre National de la Légion d’Honneur. She received the Wigmore Hall Medal marking her significant contribution to the hall in 2010, and most recently, she has been honoured with the Lifetime Achievement Award at the 2016 International Classical Music Awards.
Natalie Murray Beale
Creative director of Independent Opera at Sadler’s Wells, Natalie Murray Beale was a BBC Performing Arts Fellow #32onestowatch in 2015 and was selected in the same year by the Dallas Opera for their inaugural institute for Women Conductors.
As a guest conductor, she has performed with the Beethoven Orchester Bonn, Royal Liverpool Philharmonic, Royal Northern Sinfonia, BBC Concert Orchestra, Presidential Orchestra of Turkey, Orquestra Sinfónica Portuguesa and the Malta Philharmonic. Also experienced in the pit, opera credits have included performances with the Royal Opera House, Mumbai, Croatian National Theatre Zagreb, Theater Bonn, the Royal College of Music, contemporary opera group Tête à Tête, Opera Holland Park, Opera Queensland and Spitalfields Festival.
Highlights of Murray Beale’s 2019/2020 season include her debut with Symphony Nova Scotia, Ulster Orchestra, and Ensemble Contrechamps. Natalie’s 2018/2019 season featured her Barbican Hall debut with the Britten Sinfonia as well as debuts with the Orchestre National du Capitole de Toulouse and the Philharmonia, on tour to Colombia.
Murray Beale trained as a pianist and, after working with Welsh National Opera and Glyndebourne as a coach and repetiteur, she became Guest Director of the London Symphony Chorus where she collaborated with Valery Gergiev, Xian Zhang, Marin Alsop and Sir Colin Davis on a wide range of concerts at the Barbican, Salle Pleyel, Royal Festival Hall and Royal Albert Hall.
After studies at the Sydney Conservatorium of Music Murray Beale continued her training at the Guildhall School of Music and Drama and the National Opera Studio, London and studied conducting with Jorma Panula. She is a Guest Professor at the Royal College of Music.
For almost four decades, Thomas Quasthoff set the standard on international stages before ending his outstanding singing career in 2012. He retains close ties to music as a teacher at the Hanns Eisler Music Academy in Berlin, in masterclasses, as a concert narrator, and in readings. He has appeared with the world’s leading orchestras under conductors such as Abbado, Barenboim, Haitink, Eschenbach, Jansons, Muti, and Rattle, as well as in opera. His operatic debut in the role of Don Fernando (Fidelio) at the Salzburg Easter Festival was highly acclaimed as well as his remarkable début at the Vienna State Opera as Amfortas/PARSIFAL. Thomas Quasthoff has held many residencies including at Vienna’s Musikverein, Het Concertgebouw Amsterdam, Carnegie Hall, and Wigmore Hall. His recordings have received numerous awards, including three Grammys. Having dedicated himself to Lied for many years, he founded the “Das Lied” International Song Competition in 2009.
Thomas Quasthoff has been awarded the Order of Merit of the Federal Republic of Germany, the European Culture Prize for Music, the Gold Medal of the Royal Philharmonic Society, the Herbert von Karajan Music Prize of the Festspielhaus Baden-Baden, the Wigmore Hall Gold Medal, and was conferred the title of Österreichischer Kammersänger.
Richard Stokes, Professor of Lieder at the Royal Academy of Music, has given many lectures and masterclasses on Lieder and art song in the UK and abroad, and is a regular juror at international Song Competitions. For the operatic stage he has translated Wozzeck and La voix humaine (Opera North), and Parsifal, Lulu, L’Amour de loin and Jakob Lenz (ENO). His books include The Spanish Song Companion (with Jacqueline Cockburn), J.S. Bach – The Complete Cantatas (Scarecrow Press), A French Song Companion (with Graham Johnson) (OUP) and The Book of Lieder (Faber).
With Alfred Brendel he collaborated on the latter’s Collected Poems: Playing the Human Game (Phaidon). His translations of Kafka’s Metamorphosis and The Trial have been published by Hesperus Press, and Alma Books published his translation (with Hannah Stokes) of Kafka’s Letter to his Father. Penguin Classics published The Penguin Book of English Song – Seven Centuries of Poetry from Chaucer to Auden in the Spring of 2016, and Alma Classics have recently released his translation of Jules Renard’s complete Histoires Naturelles in a dual-language edition (2017). Richard Stokes was awarded the Order of Merit of the Federal Republic of Germany in 2012.
Born in Ireland, Ailish Tynan received the BBC Cardiff Singer of the World Rosenblatt Recital Song Prize in 2003, was a Young Artist for the Royal Opera House and a BBC Radio 3 New Generation Artist. Her operatic engagements have included Podtotshina’s Daughter in The Nose for the Royal Opera House, Gretel in Hänsel und Gretel for the Royal Opera House, Welsh National Opera and Scottish Opera, Tigrane in Radamisto for English National Opera, Papagena in Die Zauberflöte for Teatro alla Scala Milan, Sophie in Der Rosenkavalier for Royal Swedish Opera, Héro in Béatrice et Bénédict for Houston Grand Opera and Vixen in The Cunning Little Vixen for Grange Park Opera.
A prolific recording artist, her releases include Fauré Melodies for the Opus Arte label and Nacht und Träume for Delphian, both with pianist Iain Burnside. Season highlights include a US and European tour with The English Concert, Mahler’s Eighth Symphony with the Netherlands Philharmonic Orchestra conducted by Marc Albrecht, and Britten’s War Requiem with the RTÉ National Symphony Orchestra.
Ailish Tynan appears by arrangement with Steven Swales Artist Management