The works in Alban Gerhardt’s programme display contrasting creative paths taken by three composers, beginning with the impassioned drama of Fauré’s D minor Cello Sonata of 1917 and unfolding with the expressive turbulence of Saint-Saëns’s first essay in the genre.
Rachmaninov’s ground-breaking Sonata for cello and piano treats both instruments as equals in pursuit of musical beauty and emotional truths.