Echoes of the glorious yet terrifying uncertaintyof life sound in many of the works in ChristianneStotijn’s recital, strongly present in the sustainedintensity of Schubert’s ‘Im Abendrot’ and poignantsettings of ‘Der Zwerg’ and ‘Wehmut’, and neverfar from the surface of Mahler’s folk-inspiredDes Knaben Wunderhorn.