Two outstanding British artists offer a programmeof imaginative contrasts and enormous emotionalrange, moving from Beethoven’s ebullient variationson one of Handel’s best-known tunes to JohnCasken’s
Stolen Airs, inspired by a story central tohis opera-in-progress,
Sylvie and the Songman.
Philip Higham and Alasdair Beatson conclude withFranck’s evergreen Violin Sonata in A, transcribedfor cello and piano by Jules Delsart.