Contrasts and coincidences abound in the BaselChamber Orchestra’s programme. Daniel Hopeplay-directs the ensemble in Mendelssohn’s youthfulD minor Violin Concerto, written for the composer’schildhood friend, Ferdinand David, who also led theorchestra in his famous revival of Bach’s St MatthewPassion.
Bartók’s Divertimento, written for the BCOin 1939, is prefaced by Frank Martin’s lyrical Pavanein its version for strings.