Her solo recital covers music from the 17th to the 20th centuries, from Heinrich Biber’s afterpiece to his collection of Rosary or Mystery Sonatas of 1676 to one of Luciano Berio's series of solo works, this example dating from exactly 300 years later. Equally as technically challenging as Paganini's studies are Ysaÿe's vastly demanding sonata of 1923 and Bartók's grand-scaled example of 1944.