Bach and the Viennese classics comprise this programme by one of today’s finest pianists. As David Blum wrote in The New Yorker, ‘What one remembers most from Goode’s playing is not its beauty – exceptional as it is – but his way of coming to grips with the composer’s central thought, so that a work tends to make sense beyond one’s previous perception of it … the spontaneous formulating process of the creator [becomes] tangible in the concert hall.’