Now fully established equally as a soloist, collaborative pianist and a curator, ‘one of the most admired pianists of his generation’ (in the words of the New York Times) has received universal acclaim for his ‘uncommon sensitivity’ (The New Yorker), ‘impeccable musicality and phrasing’ (Le Figaro) and his stature as ‘a true poet of the keyboard: refined, searching, unfailingly communicative’ (The Evening Standard).