Saturday 19 February 2022 7:30PM
Carolyn Sampson soprano; Tim Mead countertenor; Arcangelo
Bach, Handel and Vivaldi
Download the PDF programme and song sheet/translations here. Reproduction and distribution is strictly prohibited.
Change of Programme
The programme for this concert has changed slightly and will now be as below.
- Carolyn Sampson soprano
- Tim Mead countertenor
- Jonathan Cohen director, piano
- Michael Gurevich violin
- Louise Ayrton violin
- Jane Gordon violin
- Tuomo Suni violin
- Beatrice Philips violin
- Rebecca Jones viola
- Jonathan Manson cello
- Tim Amherst double bass
- Emmanuel Laporte oboe
- Katie Lewis oboe
- Joe Qiu bassoon
- Thomas Dunford lute
With two exceptional singers in attendance, a programme centred on three leading Baroque composers. Written during the 1720s, Handel’s Latin motet is an admired example of his luscious vocal writing. Though its date is unknown, the Vivaldi cantata on an Arcadian theme seems likely to have been written in his later years. The two singers join in Bach’s motet, a parody of Pergolesi’s celebrated Stabat Mater probably made around 1745-7.
- Supported by the Rubinstein Circle
George Frideric Handel (1685-1759)
Silete venti HWV242
Concerto Grosso in F Op. 3 No. 4 HWV315
- Silete venti HWV242
Antonio Vivaldi (1678-1741)
Cessate, omai cessate RV684
- Cessate, omai cessate RV684
Concerto for 2 violins in A minor Op. 3 No. 8 RV522 'L'estro armonico'
- Concerto for 2 violins in A minor Op. 3 No. 8 RV522 'L'estro armonico'
Johann Sebastian Bach (1685-1750)
Tilge, Höchster, meine Sünden BWV1083
- (based on Giovanni Battista Pergolesi)
- Tilge, Höchster, meine Sünden BWV1083