Beginnings as Bechstein Hall

Beginnings as Bechstein Hall

Wigmore Hall was built in 1901 by the German piano firm Bechstein next to its showrooms on Wigmore Street. The Hall was intended to be grandly impressive while remaining intimate enough for recitals.

Originally called Bechstein Hall, it opened with two gala concerts on 31 May and 1 June 1901, featuring the Italian pianist Ferruccio Busoni, the Belgian violinist Eugène Ysaÿe, the Ukrainian pianist Vladimir de Pachmann and several others.

The Hall was designed by the English architect Thomas Collcutt, FRIBA (1840-1924) in Renaissance style, using alabaster and marble for the walls, flooring and stairway. Collcutt was one of the most distinguished architects of his day and his diverse body of work embraced the design of the public rooms in more than a dozen P&O liners.

German Hostility

German Hostility

The outbreak of war in 1914 brought hostility to German firms in London. Even Nellie Melba was criticised when she sang Land of Hope and Glory to an accompaniment on a German-made Bechstein.

In 1916, the entire business — including studios, offices, warehouses, 137 pianos and the Hall itself — was sold to Debenhams for £56, 500. The Hall alone had cost £100, 000 to build.

Past and Present Performers

Past and Present Performers

In its early years Wigmore Hall featured many remarkable performers. Artur Schnabel, at the age of 22, played a recital so successful that a second was hastily arranged; composers Ravel, Fauré, Saint-Saëns, Skryabin, Hahn and Grainger appeared; Nellie Melba and Enrico Caruso sang; 27-year-old Thomas Beecham gave his first concert; Artur Rubinstein played, and at his farewell recital at the Hall many years later urged his audience to 'keep coming back to this wonderful Hall'

Prokofiev, Poulenc and Hindemith appeared, Benjamin Britten and Peter Pears gave recitals, and many of Britten's most significant chamber and vocal works were given their first performances at the Hall; Elisabeth Schwarzkopf sang, Jacqueline du Pré played the cello; the Amadeus Quartet gave many memorable concerts.

With its celebrated acoustic, continuity of staff and famously knowledgeable audience, the Hall continues to attract the world’s leading musicians. They especially appreciate the degree of intimacy built up between artist and audience, which contributes so much to Wigmore Hall's very special atmosphere.

Artists appearing in recent times have included Sir András Schiff, Dame Felicity Lott, Cecilia Bartoli, Sir Thomas Allen, Steven Isserlis, Ann Murray DBE, Matthias Goerne, Joshua Bell, Andreas Scholl, Angelika Kirchschlager, Thomas Quasthoff, Simon Keenlyside, Florestan Trio, Bernarda Fink, The Borodin Quartet, The Nash Ensemble, Ian Bostridge, Gerald Finley, The Emerson Quartet, The Academy of Ancient Music, a quartet of leading accompanists – Graham Johnson, Julius Drake, Malcolm Martineau, Roger Vignoles – and a host of others too numerous to mention.

Wigmore Hall also showcases a new generation of young artists, many of whom made their first London recital appearance on its platform. These include Alice Coote, Paul Lewis, Kate Royal, Alison Balsom, Christopher Maltman, Joyce DiDonato, Mark Padmore, Belcea Quartet, Alina Ibragimova, Elias String Quartet and Iestyn Davies.

The History of Wigmore Hall Podcast

Wigmore Hall Podcasts

You can find out more about the history of Wigmore Hall by listening the podcast hosted by musician and broadcaster Sandy Burnett:


Vital heritage-related information about the Hall’s own history and the musical, social and cultural heritage of London

The Cupola

The Arts and Crafts cupola over the stage was designed by Gerald Moira and executed by Frank Lynn Jenkins. It was restored during the Hall's refurbishment in 1991–2.

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Video Library

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