The Nash Ensemble launches its Viennese series with works by three composers closelyassociated with ‘the city of music’.

Mahler’s only surviving chamber work dates from hisprecocious teenage years at the Vienna Conservatoire, while Schoenberg’s romanticallycharged ‘Transfigured Night’ dates from the same year as Freud’s The Interpretation ofDreams. Schubert’s much-loved ‘Trout’ Quintet, a score of sunny relaxation, was writtenduring a country vacation from his native city.