Christian Blackshaw has built a dedicated followingat Wigmore Hall with interpretations of strikingindividuality and perceptive wisdom. He movesfrom the stormy virtuosity of Mozart’s so-called‘Linz’ Sonata by way of Schumann’s characterpieces of 1837 to the mighty structure of Liszt’sSonata in B minor, one of the great landmarks inthe history of nineteenth-century music.