Archived Event

In the footsteps of...
Gweneth Ann Rand soprano; Allyson Devenish piano; Sarah Daramy-Williams violin; Cathy Tyson narrator
Date
Thu 14 Oct 2021, 7.30pm
Tickets
Archived Event
Duration
This concert will be approximately 2 hours in duration, including an interval
Availability

Important Information

This concert was live-streamed as part of the Autumn 2021 Series. The video is no longer online but other concerts are available to watch in full here: Wigmore Hall Concert Video Library

Download the PDF programme and song sheet/translations here. Reproduction and distribution is strictly prohibited.

Artists

  • Gweneth Ann Randsoprano
  • Allyson Devenishpiano
  • Sarah Daramy-Williamsviolin
  • Cathy Tysonnarrator
  • Cathy Tysonnarrator

Programme

      • City called Heaven
        (arranged by Hall Johnson)
      • Witness
        (arranged by Hall Johnson)
      • Is There Anybody Here?
        (arranged by Roland Carter)
  • Jean Sibelius
    1865-1957
      • Belshazzar's Feast Op. 51
        :
      • Solitude (1939 version for voice and orchestra)
      • Norden Op. 90 No. 1
      • Svarta rosor Op. 36 No. 1
      • Var det en dröm? Op. 37 No. 4
      • Gypsy Songs Op. 55
        :
      • My song of love rings through the dusk
      • All round about the woods are still
      • Songs my mother taught me
      • Give a hawk a fine cage

Interval

  • Aaron Copland
    1900-1990
      • 12 poems of Emily Dickinson
        :
      • Why do they shut me out of heaven?
      • The Sound of Music
        :
      • My Favourite Things (arranged by Allyson Devenish)
      • By an' by
        (arranged by Clement Ishmael) (world première)
      • My Soul's Been Anchored in the Lord
        (arranged by Florence Price)

Overview

Wigmore Associate Artist, soprano Gweneth Ann Rand, collaborates with three fellow performers in this widely-ranging programme celebrating the artistry of African-American singers – Marian Anderson, Jessye Norman and Grace Bumbry – who graced the Wigmore platform on numerous occasions. In addition, works by recent and contemporary North American but mostly contemporary Black British composers are featured, two of them premières.

Part of