The unconducted collective which The Observer has described as ‘one of the UK’s most innovative and imaginative ensembles’ has risen to a position of international prominence with its vital, uniquely original performances. Its repertoire consists of well-known works by familiar composers plus the group’s own discoveries amongst the vast repository of neglected music from the period.

Here it tackles one of the most important of all choral collections, published in Venice in 1610 and demonstrating the varied accomplishments of one of the undisputed masters not only of the Baroque but of all time.