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Anna Lucia Richter
Image credit: © Jessy Lee

Felix Mendelssohn and Liszt
Anna Lucia Richter mezzo-soprano; Nicky Spence tenor; Julius Drake piano
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Date
Sat 31 May 2025, 7.30pm
Tickets
£40 £36 £32 £26 £18
Duration

This concert will be approximately 2 hours in duration, including an interval

Availability

Ticket bookings are subject to a £4.00 booking fee. This fee covers the whole booking and is not per ticket

Important Information

Priority Booking for this concert will open to Friends of Wigmore Hall from Wednesday 8 January at 10.00am. For a full breakdown of booking dates, please visit our Priority Booking page.

General sale for this concert will open at 10.00am on Tuesday 21 January.

Artists

  • Anna Lucia Richtermezzo-soprano
  • Nicky Spencetenor
  • Julius Drakepiano

Programme

      • Minnelied Op. 47 No. 1
      • Morgengruss Op. 47 No. 2
      • Frühlingslied Op. 47 No. 3
      • Volkslied Op. 47 No. 4
      • Der Blumenstrauss Op. 47 No. 5
      • Bei der Wiege Op. 47 No. 6
      • Minnelied Op. 34 No. 1
      • Auf Flügeln des Gesanges Op. 34 No. 2
      • Frühlingslied Op. 34 No. 3
      • Suleika Op. 34 No. 4
      • Sonntagslied Op. 34 No. 5
      • Reiselied Op. 34 No. 6
  • Franz Liszt
    1811-1886
      • Lieder aus Schillers 'Wilhelm Tell' S292/2
      • Hohe Liebe S307
      • Gestorben war ich S308
      • O lieb, so lang du lieben kannst S298/2

Interval

  • Franz Liszt
    1811-1886
      • Muttergottes-Sträusslein zum Mai-Monate S316
      • Die tote Nachtigall S291
      • Die stille Wasserrose S321
      • Es muss ein Wunderbares sein S314
      • Die drei Zigeuner S320/2
      • 6 schottische National-Lieder
      • Wie kann ich froh und lustig sein?
      • Abendlied
      • Wasserfahrt

Overview

Songs thread a long path through the lives of Felix Mendelssohn and Franz Liszt. Anna Lucia Richter and Nicky Spence, passionate and compelling interpreters of Lieder, present a bewitching selection of their finest works, brought to life in partnership with Julius Drake, described by The New Yorker as ‘the nonpareil collaborative pianist’.

Booking Information

For more information about your visit, please see our FAQ and Access pages.

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